Zug Kultur Magzin Dezember 2021 - Kulturblick Schule
"Bildung kann man nicht herstellen, sondern nur ermöglichen. Die bildende Qualität des Unterrichts kann ich als Lehrperson für Bildnerisches Gestalten begünstigen, indem ich echte Begegnungen und Auseinandersetzungen mit Kunst und Kultur fördere. ... Nur durch unmittelbare Betroffenheit sind echte Neugierde, Aha-Erlebnisse und somit ein Weiterdenken möglich. ... "
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Bericht in der Zuger Zeitung zur Ausstellung im KunstKubus Cham
Link zum Artikel
Neue Zuger Zeitung - Zug Kultur Magazin #046 Januar/Februar 2018
Wie hast du's mit der Malerei? Portrait über die drei Zuger Künstler Ramon Bachmann, Sussi Hodel und Sabine de Spindler
(S.3-11)
(S.3-11)
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Foto: Kultur Zug - Philippe Hubler
ZUger Presse - Zugerbieter 20.12.2017 (Frontseite!)
Zuger Presse - Zugerbieter, 15.11.2017
Zuger Kulturmagazin-November 2017 (#44), publiziert am 30.10.17
Neue Zuger Zeitung, 05.03.2015
Zug4You.ch
She integrates the power of nature into the process
Once she has started something, she can’t quickly let go of it - or, more accurately – it won’t let her go. This is the case with "Traces", a group of works to which Sabine de Spindler has dedicated the last three years. "I have developed the theme" emphasizes the Baar artist, and explains the process. She sews a ring shape from iron wire onto a canvas that has been painted with an acrylic paint, folds them, and then exposes them to the weather on her terrace for a few weeks. The effect of this process can be seen in her first solo exhibition in Galerie Billing Bild in Baar.
“It's exciting to see that the work is not destroyed by the weather, but has something added to it," explains the 43-year-old. "The picture develops its own momentum through the uncontrollable effects of the weather." The opened canvas then shows the imprint of another ring. Sabine de Spindler has cut up smaller screens and regrouped them. “In this way, I can create a trail and determine where it leads. Afterwards, I can deliberately intervene where necessary, and, for example, create this diptych. "She is currently exploring the effects of the intentional and the accidental in several groups of works.
The artist is presenting spontaneous interactions of various kinds in the exhibition. In the Graphite series, the drawings deal with the oval structures that arise on a subtly-painted acrylic base. She plays with the forms here, bringing them into relationship with each other and thereby achieving spatial depth.
Sabine de Spindler also works with the same round shapes in the "Cellula" work group, a lithograph series whose form is reminiscent of Asian subjects. The artist has carved economically spaced characters in stone in a contemplative process, and printed them onto handmade paper with black or red paint. "I produce the lithographs in the studio the School of Art in Lucerne. The whole process is a wonderful piece of work - polishing the stone and then printing it onto paper." A selection then follows.
The artists want to emphasize that each piece is unique. Everything she creates comes from her heart, and, even though they often come from the same mould, they always provide new ways of expression.
In the exhibition, Sabine de Spindler surprises through her humorous collages on book pages. It was the works of Michelangelo, which she had enthusiastically discovered years ago in her, as she says, "first" art book. She has now used the pages for her further work, and has emphasised individual parts of the body with cut-out ovals and circles. "It appealed to me to enter into dialogue with the sensuality of this work," she says.
Sabine de Spindler, who worked as a primary teacher, and then as a drawing teacher, received the Diploma for Visual Arts at the secondary level in 1997, and then studied the history of art at the University of Zurich. She continued her education for some years in the areas of painting, drawing, ceramics, photography and lithography, and has been exhibiting solo or in group exhibitions since 2012. The City of Zug and the municipality of Baar purchased works from the artist in 2013.
Sabine de Spindler has been a freelance artist since 2011, and also runs design workshops. "Today, I put all my energy into art," she says. More exhibitions are planned in the near future, with the next being in Zurich in March.
Note
The exhibition "Interaction" by Sabine de Spindler runs until 29th March, and is open on Mondays, Thursdays and Fridays from 2 p.m. to 6 p.m., on Saturdays from 11 a.m. to 4 p.m., and on Sundays from 2 p.m. to 5 p.m. (or by appointment). An aperitif will be offered in the Galerie Billing Bild, Büelmattweg 4, Baar, on Sunday, March 8th from 2 p.m. to 5 p.m. The "Art after Work" takes place with the artist on the last Thursday from 6 p.m. to 8 p.m.
Once she has started something, she can’t quickly let go of it - or, more accurately – it won’t let her go. This is the case with "Traces", a group of works to which Sabine de Spindler has dedicated the last three years. "I have developed the theme" emphasizes the Baar artist, and explains the process. She sews a ring shape from iron wire onto a canvas that has been painted with an acrylic paint, folds them, and then exposes them to the weather on her terrace for a few weeks. The effect of this process can be seen in her first solo exhibition in Galerie Billing Bild in Baar.
“It's exciting to see that the work is not destroyed by the weather, but has something added to it," explains the 43-year-old. "The picture develops its own momentum through the uncontrollable effects of the weather." The opened canvas then shows the imprint of another ring. Sabine de Spindler has cut up smaller screens and regrouped them. “In this way, I can create a trail and determine where it leads. Afterwards, I can deliberately intervene where necessary, and, for example, create this diptych. "She is currently exploring the effects of the intentional and the accidental in several groups of works.
The artist is presenting spontaneous interactions of various kinds in the exhibition. In the Graphite series, the drawings deal with the oval structures that arise on a subtly-painted acrylic base. She plays with the forms here, bringing them into relationship with each other and thereby achieving spatial depth.
Sabine de Spindler also works with the same round shapes in the "Cellula" work group, a lithograph series whose form is reminiscent of Asian subjects. The artist has carved economically spaced characters in stone in a contemplative process, and printed them onto handmade paper with black or red paint. "I produce the lithographs in the studio the School of Art in Lucerne. The whole process is a wonderful piece of work - polishing the stone and then printing it onto paper." A selection then follows.
The artists want to emphasize that each piece is unique. Everything she creates comes from her heart, and, even though they often come from the same mould, they always provide new ways of expression.
In the exhibition, Sabine de Spindler surprises through her humorous collages on book pages. It was the works of Michelangelo, which she had enthusiastically discovered years ago in her, as she says, "first" art book. She has now used the pages for her further work, and has emphasised individual parts of the body with cut-out ovals and circles. "It appealed to me to enter into dialogue with the sensuality of this work," she says.
Sabine de Spindler, who worked as a primary teacher, and then as a drawing teacher, received the Diploma for Visual Arts at the secondary level in 1997, and then studied the history of art at the University of Zurich. She continued her education for some years in the areas of painting, drawing, ceramics, photography and lithography, and has been exhibiting solo or in group exhibitions since 2012. The City of Zug and the municipality of Baar purchased works from the artist in 2013.
Sabine de Spindler has been a freelance artist since 2011, and also runs design workshops. "Today, I put all my energy into art," she says. More exhibitions are planned in the near future, with the next being in Zurich in March.
Note
The exhibition "Interaction" by Sabine de Spindler runs until 29th March, and is open on Mondays, Thursdays and Fridays from 2 p.m. to 6 p.m., on Saturdays from 11 a.m. to 4 p.m., and on Sundays from 2 p.m. to 5 p.m. (or by appointment). An aperitif will be offered in the Galerie Billing Bild, Büelmattweg 4, Baar, on Sunday, March 8th from 2 p.m. to 5 p.m. The "Art after Work" takes place with the artist on the last Thursday from 6 p.m. to 8 p.m.
Zuger Presse - Zugerbieter, 11.02.2015
Bericht auf der Internetseite www.zio.ch, das News-Portal für den Kanton Zug
Mi, 16.01.2013
Erfolgreiche Ausstellung von Sabine de Spindler in der Anken "moi et toi" heisst der Titel der beim Publikum äusserst erfolgreichen Ausstellung von Sabine de Spindler aus Zug.
In ihrer ersten Einzelausstellung bietet die Künstlerin spannende Einblicke in die Vielseitigkeit ihres kreativen Schaffens. Noch bis zum 20. Januar 2013 präsentiert Sabine de Spindler in der Ankenwaage, dem temporär zwischengenutzten Ausstellungsraum in der oberen Altstadt von Zug, ihre vielseitigen wie überraschenden Werke. In der Reihe "Die Stadt Zug fördert Kultur" ist dieses Mal eine waschechte Zugerin zu Gast, die bekannte wie unbekannte Seiten von sich selber als Künstlerin offen legt. Neben Führungen mit der Kuratorin Dr. phil. Mandy Gnägi aus Zürich gibt es zusätzlich spezielle Veranstaltungen wie am kommenden Donnerstag
einen After-Work-Apéro. "moi et toi" lautet der Titel der poetisch-sinnlichen Serie von fünf grossformatigen Werken. Der filigran wirkenden Sabine de Spindler würde man eine derart kraftvolle Expressivität kaum zutrauen. In einem speziellen Prozess, in dem Zeit und Umwelt mitspielen und Spuren hinterlassen, arbeitet sie mit einer Mischtechnik aus Baumwolle und rostendem Eisendraht. Wie breit und reichhaltig ihr Oeuvre in Wirklichkeit ist, das zeigen die Kaltnadelradierungen, Gipsplatten und Fotografien, welche die grossen Leinwände von "moi et toi" umrahmen. Diese Exponate zeigen weitere einzigartige Perspektiven der in der Stadt Zug aufgewachsenen Seepolizistentochter, die heute an der Stadtgrenze in
Baar wohnt. Die erste grosse Einzelausstellung von Sabine de Spindler ist bisher ein grosser Publikumserfolg. An der Vernissage vor Wochenfrist drängten sich über hundert Personen in den mittelalterlichen Räumlichkeiten und auch der Bach-Suite am Sonntagmorgen gespielt vom bekannten Cellisten Jonas Iten hörte ein grosses Publikum aufmerksam zu.
Öffnungszeiten: 10. bis 20. Januar 2013, Dienstag, Mittwoch und Freitag, jeweils 13.00 - 18.00 Uhr, Donnerstag, 13.00 - 21.00 Uhr. Samstag, 10.00 - 16.00 Uhr, Sonntag, 14.00 - 18.30 Uhr oder auf Anfrage 079 298 30 92.
Special: Donnerstag, 17. Januar 2013, ab 18.00 Uhr After-Work-Apéro, 19.00 Uhr Führung durch die Kuratorin.
Finissage: Sonntag, 20. Januar 2013, 14.00 - 18.30 Uhr, 17.00 Uhr Abschlussführung durch die Kuratorin.(zio.ch / Peter Holdener)
Neue Zuger Zeitung, 12.01.2013
